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  • Museu Picasso: Buenos días Ricardo. Desde el museo no certificamos obra de Picasso. Para saber si la obra que...
  • vicente más: soy valenciano,arquitecto,vivo en Brasil y tengo hace muchos años un Carnet Picasso paris, 1900 ejemplar...
  • Museu Picasso: Hola Jaime, Picasso no fue un pintor fauvista pero en sus primeros viajes a París se interesó por este...
  • jaime: se conocen obras fauvistas de Picasso? Lienzos, estudios… Y de estilo más naíf??
  • carme llobet llambrich: que seria de PICASSO sensa el blau



28 de September de 2015

Restoration of three landscapes produced by Picasso in Malaga in the summer of 1896

We recently undertook the restoration of three landscapes from the collection painted by the young Picasso in the summer of 1896.  As we will explain further on, we consider that the series should be conceived as a unit and for this reason the three works were intervened within the framework of the same project.


Process of restoration

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11 de March de 2015

Looking without being seen: restoration of a wooden lattice of the façade of the Museu Picasso of Barcelona

The street of Montcada gathers together a singular representation of architecture of late medieval Barcelona. The so-called large houses” that make it up are today a conjunction and superimposition of styles, that despite the transformations, haven’t lost their original spirit.

Gelosia_abans restauració Gelosia_restaurada

Detail of the lattice before and after the restoration

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10 de February de 2015

The Blue Period of Picasso: more than meets the eye

On Friday January 30th we held the seminar “The Blue Period: New Interpretations by Means of Technical Studies” at the Museu Picasso. The seminar provided us with plenty of new information that posed many challenges both for restorers as well as for art historians.

The aim of this conference  was to make known and also to make available the latest technical studies that have been carried out on the emblematic works of the Blue Period, a fundamental period closely linked to the city of Barcelona.  The applications of new technologies have allowed us to “see” the underlying works and to obtain a lot of information about the pictorial process of the artist.


Photo of the director Bernardo Laniado-Romero with the speakers Patricia Favero, Allison P. Langley, Ann Hoenigswald, Julie Barten and Reyes Jiménez de Garnica. Photography: Dani Rovira

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14 de January de 2015

The programming of the Museu Picasso for 2015

What will we be doing in 2015? This last Tuesday we presented the museum’s programming of what the museum will be doing this year. Exhibitions, seminars, activities, presentations, restorations and family workshops, amongt others, will form part of the new programme that we have planned for 2015. Following you can find an outline of the main events:

Picasso Dona en una butaca vermellaDalí Aparell i mà

Pablo Picasso, Woman in a Red Armchair. 1929. Oil on canvas. 65 x 54 cm. The Menil Collection, Houston
Hickey-Robertson, Houston © Successió Pablo Picasso, VEGAP, Madrid 2015 | Salvador Dalí. Apparatus and Hand. 1927. Oil on wood panel. 62,2 x 47,6 cm. Salvador Dalí Museum, Inc., Sant Petersburg, Florida © Fundació Gala-Salvador Dalí, Figueres 2015

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30 de April de 2014

Restoration of the The frugal repast and the Ovidi’s Metamorphoses

Multiplying the images by means of a copper matrix is the essence of the print. This allows the artist to produce multiple prints that can be acquired and spread around the world.

Pablo Picasso. The frugal repast. Paris, September 1904. Etching and scraping on zinc plate, printed on paper. 46,3 x 37,7 cm (plate). 61,4 x 44,3 cm (irregular; paper). Gift of Pablo Picasso, 1970. MPB 110.011

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