17th January 2012

Picasso’s Barcelona Roofs

We are pleased to share with you some excerpts from an article by Francesc Pujols, ‘The Rooftops of Barcelona’, ​​first published in “La Publicidad” on 18 June 1920. Though written a few years after Picasso’s time in Barcelona, when he painted a number of pictures with the city’s rooftops as their theme, the writer seems to be describing some of the works in our collection. We are thankful to the poet Enric Casassess for sending us the article, which came to his mind as he was walking round the Museu Picasso.

Roofs of Barcelona. Pablo Picasso, 1903 Read more »

12th December 2011

Picasso for everyone: tailoring our workshop visits for children with cerebral palsy

Throughout the month of November the museum’s Education Service ran a new pilot programme to enable children with cerebral palsyto take part in our special workshop visits.

A few months ago twoteachersfrom the Escola Nadís SCS school, Llum Tormo and Maria Traid, contacted us to ask about the possibility of adapting the content of the activities we offer to schools to cater to the specific needs and abilities of their students, and in particular of two groups, one aged between 10 and 19 and the other of children aged from 4 to 10.

Workshop at the room Las Meninas Read more »

17th November 2011

Picasso in Tel Aviv

From 17 November 2011 to 20 January 2012 the Tel Aviv Museum of Art is hosting the Picasso exhibition “Tauromachy. Works from the Collection of the Museu Picasso Barcelona”. The initiative has come about as part of the cooperation agreement between the Museu Picasso and Acción Cultural Española (AC/E), which chose to show Picasso for the first time in Israel, to celebrate the 25th anniversary of diplomatic relations between the two states.

Table of registers Read more »

8th November 2011

Enrique Vila-Matas, guest author at the Reading Club

Enrique Vila-Matas was the centre of attention at the second session of this season’s Reading Club. With the past exhibition “Feasting on Paris. Picasso 1900-1907” as a reference, we talked with him about his partly autobiographical novel París no se acaba nunca. One of the things he told us: ‘I received the Barcelona inheritance of Picasso and Miró in looking at Paris culturally.’

Reading Club session Read more »

20th October 2011

A Palazzo by the Arno for Picasso

The Palazzo Giulia Rosselmini Gualandi, a magnificent Renaissance mansion on the banks of the Arno, is home to the Fondazzione Palazzo Blu, and is hosting the exhibition “Ho voluto essere pittore e sono diventato Picasso” — I Wanted to Be a Painter and I Became Picasso. This is the first ever show of Picasso’s work in the city of Pisa and it runs from 14 October 2011 to 29 January 2012. The major retrospective brings together some two hundred works, including paintings, drawings, ceramics and etchings, and traces Picasso’s output from 1901 to 1970. The show has been organized and coordinated by the Giunti Arte Mostre e Musei cultural council, and was curated by Claudia Beltrami Ceppi.

Entrance to the exhibition with the Leaning Tower in the background Read more »

17th October 2011

The Reading Club is back, with Fernande Olivier in the spotlight

Last Thursday saw the start of the second season of the Museu Picasso Reading Club. Last year I cam along to the Club as an ordinary member, but this time round I was asked to lead the discussion about the memoir by Fernande Olivier, Recuerdos íntimos.

Read more »

30th September 2011

On Iberian Heads and Self-portraits

As “Feasting on Paris. Picasso 1900-1907” comes to its last weeks, we have asked its curator, Marilyn McCully, to give us an insider’s view of a particularly significant artwork in the exhibition. If you woud like to know more about Ms. McCully’s thesis and the exhibition, take a look at the short interview with her in our Summer Capsules as well as the specific web site. And if you haven’t yet got round to visiting the exhibition, don’t miss this last opportunity to do so.

Self-Portrait with a Palette. Picasso.(Paris, 1906 Read more »

14th September 2011

Circus Figures Wreathed in Mystery

In the context of the exhibition Devouring Paris. Picasso 1900-1907, co-produced with the Van Gogh Museum in Amsterdam, we invited Edwin Becker, Head of Exhibitions at the Van Gogh, to tell us about his favourite work in the show and why he likes it. Becker also offered us his vision of the Paris that Picasso would have found at the beginning of the twentieth century, in a brief interview in our Summer Capsules.

“In an exhibition, I always try to show the importance of the present and establish relationships with it. Of course it is wonderful to admire the art treasures of the past, the features of a movement or images of an era, but it is much more interesting to relate artworks to present-day events, trends and themes, or even to other works of different periods or in other media. Read more »

27th July 2011

On the teacher training course at the Museu Picasso, the Education Department and the teachers learn together

During the week of 11th to 15th July, for the second year running, the Museu Picasso’s Education Department presented a training course for teachers on how to work with art as the basis for a transverse exploration of a whole range of subjects in the primary and secondary curricula.

The purpose of these courses is very practical and they reflect the dual need to get closer to teachers on their home terrain, the field they act and work in, while offering them tools and materials with which to incorporate the study of art in the broadest sense and, with particular reference to Picasso, to get rid of certain common misconceptions that do nothing enhance our understanding of the work.

Teachers during one of the practical sessions

This year, together with Maria Alcover, head of the Museum’s Education Service (which is part of the Public Programmes Department) and the rest of the team, we chose to focus more on the methodological and conceptual aspects of the creation of transverse projects based on the arts, whether these take Picasso as their starting point or not. We were delighted to find that our proposal aroused the active interest of the teaching profession, and we received twice as many applications as we were able to accept.

In the preparation of the programme we had the invaluable assistance of Lluís Vallvé of the Consorci d’Educació de Barcelona. We outlined the objectives of the course to Lluís and together we defined the need to provide a theoretical framework and a thorough exposition of the methodologies that he has developed on the basis of his extensive experience.

Lluís led the sessions on the first two days, and started off by looking at how a transverse project can be developed on the basis of art and what resources and what impact this might have in the school context. He also put forward a broader theoretical framework for the different creative languages, illustrated with real examples of how groups of students have responded to particular approaches to these forms of expression.

Practical exercice with light led by Mercè Gaja

On the second day Lluís’s presentation revolved around the processes and methodologies that he used with students, with special emphasis on the key aspects of generating debate among the students and listening to their suggestions, questions and interests and including points raised by the students bring in the process, of looking for referents not only in the art world but also in other subject areas that explore the same issues, of agreeing with the group on a line of joint action and of initiating a process not so much of production as of visual and conceptual exploration.

The next three days were devoted to examining case studies. One of the first of these was the presentation of a project at El Puig school in Esparraguera by the teachers Anna Sala and Núria Matas, who outlined for us the philosophy and the practical functioning of a school that organizes its curriculum goals entirely on the basis of transverse projects. As a counterpoint to this very inclusive project, in the next session we heard from Mercè Gaja about her experiences with new students in the Dr. Puigvert high school using the artwork Freqüències by Eugènia Balcells as the basis for a project in which the children work with colour by means of language and poetry, physics, computer science and creation.

On Thursday we were joined byJordi Junyent, a retired teacher and artist, who spoke to us about artistic creation in terms of the conceptual processes that generate it and its formalization, with examples from the work of Catalan artists such as Picasso, Tàpies, Miró, Brossa, Perejaume and others. Next up was Noemí Rocabert, head of the Mestre Morera primary school. This year her school took part in a pilot project run by several cultural institutions in Barcelona (the Museu Picasso among them), in which schools are tutored to work transversely on a common theme, gender, and use as reference the assets of all of the institutions. In Noemí’s case, her school was tutored by the MNAC, and she took advantage of this opportunity to work with a class in which there was strong conflict between girls and boys.

View of one of the sessions

On the last day we had a slightly different but related proposal: Oriol Vilapuig and Xavier Garriga from the Illa art school in Sabadell presented some of the activities and methodologies they make use of in their extracurricular art classes. In this more flexible setting their proposals often take a more playful, fun approach, but with a methodology and processes very similar to those described by other participants. In what was a great way to round off the process we had begun five days earlier, they proposed a practical exercise with which to work on these methodologies, on the basis of Picasso’s The Embrace: generating a debate within the group, looking for referents on the Internet and getting us to do a practical exercise in drawing.

Five days, then, of sharing a lot of ideas and learning a lot, with a wonderful group of people and first-rate professionals. We are very grateful to everyone who took part, both the session leaders for their good work and their generosity in sharing it, and the participating teachers, with whom we really had a great time learning together.

We would like to share with you some of the comments of teachers who took part in the course: many thanks for your feedback! We are very pleased that the experience was so positive for everyone, and we will be sure to let you know about forthcoming proposals for educational training.

‘The course went far beyond the expectations I had of it. During the five days I had one phrase constantly in my head: “Open your mind”. Open your mind to different possibilities and try to help the students open their minds to life. Thank you very much.’

‘A window has been opened!!!!!!. A few words can say a lot. Thanks.’

‘Very positive and satisfactory evaluation for various reasons, the theory and the practice were well balanced. I learned a lot of the theoretical framework, it has made me rethink and reflect on my work. We also learned new aspects. The practical experiences were very enriching.’

‘I found the course very interesting for the diversity of speakers you brought along. It was good that they didn’t give specific recipes and that the things weren’t tailored to a particular year. It was also good to do a few practical exercises to energize the sessions. Perhaps it would be nice to see some proposals for working with junior secondary, where the programmes are often much more closed.’

‘It was a pleasure to spend a week with you […] to listen to the different speakers, their expositions and their practices, all with so much enthusiasm. It was even quite exciting at times. I haven’t done art for a long time, and I think I’ll be doing it next year, and for me this training week went far beyond what is general thought of as art education in schools. I really want to say a special thanks to Noemí Rocabert, for me personally she gave me a lesson in how to do things and she also confirmed for me that difficult and critical situations such as she described with a great deal of ingenuity, creativity and effort can be overcome. So, as you can see, your training course has been A GIFT.’

Anna Guarro

Public Programmes

Do you think art is a good tool for learning? Would you like to develop a transverse project on the basis of Picasso’s work? The Education Department is at your disposal!

30th June 2011

Opening of the new Centre Picasso in Gósol

The 4th of June saw the opening of the new Centre Picasso in Gósol (Berguedà), in its new home on the top floor of the village school, on the Plaça Major. The complete refurbishment and remodelling has equipped the Centre with the facilities to present its collection of ethnographic exhibits from the time that Picasso stayed in the little town in the summer of 1906, along with graphic material and reproductions to the considerable number of works that the artist made there.

Read more »