On 29th November, together with the Universitat Politècnica de València we organised the international symposium, «Around Picasso: an insight into the relationship between material choices and failure mechanisms» with the attendance of more than 120 professionals. The aim was to present the first conclusions of the R&D project ProMeSA through the scientific study that the new technologies allow to be carried out of Picasso's works. This is, therefore, a multi-disciplinary work for knowing and preventing the physiochemical deterioration of the materials that the artist used throughout his career. As emphasized by the director of the Museu Picasso, Emmanuel Guigon, the symposium ...
During the month of November in gallery 3 of the permanent collection, in which Picasso’s work Science and Charity is exhibited, restoration works are being carried out of the paintings of the early twentieth century ceiling of the Palau Meca, that had deteriorated with the passing of time. Scaffolding on which the restorers work (more…)
The group of material characterization of heritage at the Department of Analytical Chemistry of the University of Barcelona, led by professor José Francisco García, and the Department of Preventive Conservation from the Museu Picasso with Reyes Jiménez and the assistance of Anna Vélez, have started the development of the study “Early stages of Picasso through material characterization of different portraits” within the framework of the European project CHARISMA (Cultural Heritage Advanced Research Infrastructures). This project has been coordinated by Dr. B. Brunetti from the University of Perugia, which has facilitated the use of the mobile laboratory MOLAB. (more…)
On February 28th the Museu Picasso organised a seminar entitled The pastel technique: specificities of its conservation and restoration. Restoration detail of the Portrait of the Artist’s Mother (more…)
This autumn we are carrying out various changes in the works of the Collection both of the paintings as well as the works on paper. Due to questions of preventive conservation it is important to change the works on paper every three months: in this way, and given the fact that we have a very large collection of these works, the rotational system lets us see the various works that Picasso did in this format, at the same time as applying suitable criteria for the conservation of works on paper. (more…)