The Picasso Museum on Twitter @museupicasso

Yes!!!  We have finally joined Twitter, the social network that we needed to complete the first phase of  our Social Media presence, launched in May 2009. Some of you are maybe wondering, but, weren’t you already on Twitter? And others may ask why weren’t you? Or even , why are you now?

I have answers for all these questions (sort of). The first one is a clear No. And there were several  reasons for that. First, to start small and grow from there. We opened this blog and profiles on Facebook, Delicious, Flickr, Youtube and Slideshare. The most time-demanding for us are the blog and Facebook. Twitter is tricky; it may seem that to post a short message now and then is not much time-consuming. Read more »

Share

The Digital Museu Picasso in the World

Two notable activities have recently come along to assist the growth of the Museum’s Internet project. First of all, the Museu Picasso has been invited, for the second year running, to take a place on the International Program Committee of the worldwide conference on Museums & the Web and take part in the evaluation and selection of the proposed papers, forums and workshops. The forthcoming conference will be held in Denver, Colorado, and the committee includes representatives of such prestigious institutions as the Victoria & Albert Museum, the Van Gogh Museum, the Smithsonian American Art Museum, the Walker Art Center and the Museum Studies Programme at John Hopkins University in Baltimore, with the Museu Picasso the only Spanish art centre on the committee. Visit the Museums 2.0 blog for a detailed account of the 2009 conference.

Read more »

Share

Museums and Social Networks: an Encounter at the Louvre

The recent get-together in Paris as part of the ‘Rencontres Web Musées’, on 16 October, was in the purest spirit of 2.0: informal and participatory and with plenty of substance supplied not only by the panel but by many of the delegates. The setting, the Louvre. The subject: Museums and Web 2.0. The content: let me give you a brief overview, and you can check out the presentations on Slideshare.

I could see that as far as 2.0 is concerned the museums in France are more or less where we are here, just starting to explore and discover the immense possibilities of communication and content generation that the social networks make available to us all, but a few French museums are at the cutting edge: of note here are the 2.0 experiences of the Muséum and the Abattoirs, both in Toulouse - the first science, the second contemporary art - or the Museum of Contemporary Art in Lyon. In Paris itself it seems that the major museums haven’t really got started yet, but museums are already showing a lot of interest, and the very fact of holding the 2.0 encounter at the Louvre is a good sign. I have a hunch that within six months or a year at the outside action on the social networks will have been integrated into most centres’ communication strategy. Their potential is much too good to miss, and the breakneck speed at which they’re expanding means that you can’t just sit there open-mouthed in wonderment if you want to really get on board. It’s not at all about following a trend, it’s about being present wherever the users are, talking to people and exchanging views in a multi-directional way, with communication being not only from the museum to the public, as in the past, but from everyone to the museum and from everyone to everyone.

Read more »

Share

What will be doing at the Museu Picasso for the 2009-2010 season

Last Monday the Museum presented its new programme for the 2009/2010 season in an incomparable location - the renovated Las Meninas Room.

Before presenting the program and the exhibitions calendar, the Director, Pepe Serra, stressed two basic ideas that underpin the Museum’s lines of actuation. Firstly, the idea of complexity and heterogeneity: ‘We must bear in mind that audiences have changed and diversified a great deal while museums have remained very static,‘ Pepe Serra said at the press conference. Society has changed and museums need to evolve accordingly. Hence the need for critical reflection in order to make the Museum’s programmes more complex and more heterogeneous, offering different things, but always on the basis of a project, with each one contributing value.

Read more »

Share

Want to join our community? The Museu Picasso in Barcelona welcomes you

Participation on the Internet is now synonymous with 2.0: any company or institution nowadays that wants its Internet project to be participatory will obviously make sure to incorporate the tools that social networks make available. In the same way that virtually no museum today is in any doubt about whether or not it needs a website, a presence on the social networks is a natural addition to the active and activating presence on the Internet.

Museums around the world are slowly but inexorably coming into the fold. Those in the U.S. are doing so with real energy (the Brooklyn, MoMA, Metropolitan or Smithsonian are excellent examples), those in Europe, more cautiously (with the notable exception of the UK, especially the Tate, National Gallery or Victoria & Albert). In this country we are among the more timid, but still there are some interesting upcoming initiatives, such as the Guggenheim Bilbao’s WikiDocentes, the Facebook profiles of the Prado, Reina Sofía and Fundació Miró and Youtube profiles such as the MNACTEC_Museu Ciència i Tècnica de Catalunya).

Read more »

Share

Museu Picasso 2.0: A space for conversation

Welcome to the Museu Picasso de Barcelona, and welcome to the blog!

Our and your museum is the result of Picasso’s desire to leave something of himself to the city of Barcelona, where he served his apprenticeship and spent several extended stays. We are proud to say that the people of Barcelona have a truly exceptional museum, created by the artist’s express wish. The Museu Picasso in Barcelona is undoubtedly the centre of reference for understanding Pablo Picasso’s formative years up to his Blue Period. The collection then makes a chronological leap forward to 1917, when the artist returned to the city, and then again to 1957, with the complete series of Las Meninas.

Read more »

Share