Current Art Takes its Place in the Museum

This January I joined the Museu Picasso to take over the running of Public Programmes, the department responsible for cultural and educational services and the web. I’m really excited about joining the team here at a time when the Museum is so full of energy and plans for the future, and it’s very rewarding to know we are contributing to its evolution through our knowledge, imagination and work. I’ll be keeping you up to date on developments in the department and the work of the team.

I want to tell you now about one of the first activities I’ve been involved in here, the collaboration between the MACBA (Museum of Contemporary Art of Barcelona) and the Museu Picasso in relation to the retrospective exhibition of work by Canadian artist Rodney Graham at the MACBA.

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Art exhibitions, a plural work

Monday 30th November was the culmination of the course, “History of exhibitions. Beyond the ideology of the white cube”, that began at the Macba on 19^th October, and that two of us, the technical staff of the Museu Picasso, have followed.

One of the aims of the course was to take a trip through the history of exhibitions, more than just that of singular works of art. Based on the definition of an exhibition as “a perceptive disposition in itself, a machine for seeing, and an act of learning”, artists, critics and curators, have reflected on seven exhibitions from the second half of the 20^th century that marked a change in the way of presenting works of art within a space, and therefore the way of looking at them.

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