20th of July 2010

Discussing Wikipedia & Museums at the Picasso in Barcelona

Do you remember my remarks about the Museums & the Web conference? Well, we’ve just had an informal mini Wikimedia session here in Barcelona. This was prompted by the happy coincidence of three factors: the arrival of Liam Wyatt, who has just concluded his stint as Wikipedian-in-Residence at the British Museum, the growing interest of local museums in what is a real outreach phenomenon, and the dynamism of the Wikipedia community of Catalonia (Vikipèdia). Read more »

20th of May 2010

How to make a museum work: a different Postgraduate course

Postgraduate and Masters Degree courses have been proliferating in an almost vertiginous way in recent years. Training is always a key element, but in times of economic recession it probably is more so. However, between the knowledge acquired in academic training and the necessary requirements and skills for developing professional practice there is often a gap that is difficult to fill. That’s what we intend to do through this Postgraduate course.

How are the loans of works managed? What is done on the day the museums are closed each week? What preventive measures are adopted to preserve the collections? How is a strategic plan produced? How does the storage work? How are the laws that affect museums? How can you attract visitors and, above all, participants? How is the digitisation of the collection done? What opportunities are opened up by the social web or web 2.0? What best practices can be found in museums round the world? The list can go on, but this should give a notion of what we propose to cover. Read more »

27th of April 2010

From mw attendant to stranded European: an exciting journey Denver-NY-Barcelona

Finally back to Barcelona, being one of the stranded Europeans (new word to me, now too familiar), I’d like to share with you some first impressions. The past week has been a great week for the Museu Picasso.

It began with the interesting Wikipedia –Museums Day which meant for both communities a first approach at such large scale. (I blogged about it, only in Spanish and Catalan). As a direct outcome of our twittering and blogging about it, we received an email from a local wikipedian offering to cooperate and asking about the possibility for a meeting, which of course we are delighted to schedule. And I intend to include some wikipedia monitoring and writing as a practice for our students of the new Postgraduate course about Museum Management that my museum and the University Pompeu Fabra are about to launch next Autumn (more details coming soon). Read more »

12th of April 2010

The Picasso at the Museums and the Web Conference

For the third year running the Museu Picasso will be taking part this week (in Denver this time round) in the top-level international M&W conference, a real generator of knowledge and ideas about interactive museography, digital communication, mobile applications for museums, social media, the creation of content by the public and a host of related subjects.

In 2008 we ran a session at the Usability Lab presenting the then just revamped Picasso website. In 2009 we were asked to be part of the International Program Committee, which is responsible for, among other things, assessing and orienting the review of papers to be presented at the conference. And as we were going to be in Indianapolis, we decided to make a CRIT Room presentation of some of the improvements we made to the site in its first year of operation. This was an excellent way of publicizing the site — we even found comments on a blog from Sweden — and to cap it all we were given a prize for one of the best posts on the conference’s blog. You can read a report of MW2009 in Patrimoni Gencat blog. Read more »

3rd of March 2010

The Picasso Museum on Twitter @museupicasso

Yes!!!  We have finally joined Twitter, the social network that we needed to complete the first phase of  our Social Media presence, launched in May 2009. Some of you are maybe wondering, but, weren’t you already on Twitter? And others may ask why weren’t you? Or even , why are you now?

I have answers for all these questions (sort of). The first one is a clear No. And there were several  reasons for that. First, to start small and grow from there. We opened this blog and profiles on Facebook, Delicious, Flickr, Youtube and Slideshare. The most time-demanding for us are the blog and Facebook. Twitter is tricky; it may seem that to post a short message now and then is not much time-consuming. Read more »

20th of January 2010

21 images of what happened in 2009 in the Picasso Museum

Looking back over 2009, what can we say we are proud of? Of the number of visitors? Of course that’s important but not more than other aspects, although naturally we value and are very grateful for the number of visitors we receive.

However, what we really are proud of is the fact of promoting the educational programme, of having produced some temporary exhibitions that, as a result of the research, have contributed new knowledge about the works of Picasso, of having renovated the museographic presentation of the series of Las Meninas, of having restored the ceilings of the Palau Aguilar, of the increase in loans of works to international exhibitions, of having started the works of the new building that will accommodate the new services of Knowledge and Research, of having put the collection online, of having renewed the spaces of security with leading-edge technology,  of having increased the acquisitions of the collection of the museum, of having diversified the offer of activities and with a multi-disciplinary vision, of having actively entered in the social networks or 2.0, of having invited international and national experts to collaborate with the museum.

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21st of December 2009

We’ve finally got the Collection online!!!

After more than two years’ hard work it’s a great pleasure to be able to offer a first online version of the database of the Picasso Museum’s catalogue, with more than two thousand works. Making the collection accessible online was one of the major objectives for 2009.

It is difficult to transmit the muddle of mixed feelings: first of all a high degree of satisfaction (almost emotion!), to finally see tangible results for such an effort put in by the whole team who have collaborated and opened up to the public a thorough knowledge about our collection of the works of Picasso. I will mention just a few of the functionalities that the system presents:

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16th of November 2009

The Digital Museu Picasso in the World

Two notable activities have recently come along to assist the growth of the Museum’s Internet project. First of all, the Museu Picasso has been invited, for the second year running, to take a place on the International Program Committee of the worldwide conference on Museums & the Web and take part in the evaluation and selection of the proposed papers, forums and workshops. The forthcoming conference will be held in Denver, Colorado, and the committee includes representatives of such prestigious institutions as the Victoria & Albert Museum, the Van Gogh Museum, the Smithsonian American Art Museum, the Walker Art Center and the Museum Studies Programme at John Hopkins University in Baltimore, with the Museu Picasso the only Spanish art centre on the committee. Visit the Museums 2.0 blog for a detailed account of the 2009 conference.

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30th of October 2009

Making Museums More Accessible

How can we help blind people see art? Is there a way for people with impaired hearing to hear the power of artistic expression? How can we enable a person with a mental disability get the most out of art? In short, how can we improve access to museums and exhibitions for everyone? These and many more issues were the subject of a very intense Conference Day on 26 October, devoted to learning about and discussing the lines of work and the experiences of art museums to become more accessible. The venue: Gaudi’s building, La Pedrera. The speakers and audience: museum professionals and representatives of various disabled people’s associations.

The findings will be presented at the Museums Workshops: Culture and Best Practices. Accessibility and Inclusion to be held in the Museu Marítim de Barcelona from 4 to 6 November. The following is only a summary of some of the presentations.

A lot of us were looking forward to hearing the speaker from the MoMA, and no one was disappointed. Francesca Rosenberg, Director of Community and Access Programs in the Museum of Modern Art’s Department of Education, gave a clear and complete exposition of the many initiatives they are involved in, such as

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22nd of October 2009

Museums and Social Networks: an Encounter at the Louvre

The recent get-together in Paris as part of the ‘Rencontres Web Musées’, on 16 October, was in the purest spirit of 2.0: informal and participatory and with plenty of substance supplied not only by the panel but by many of the delegates. The setting, the Louvre. The subject: Museums and Web 2.0. The content: let me give you a brief overview, and you can check out the presentations on Slideshare.

I could see that as far as 2.0 is concerned the museums in France are more or less where we are here, just starting to explore and discover the immense possibilities of communication and content generation that the social networks make available to us all, but a few French museums are at the cutting edge: of note here are the 2.0 experiences of the Muséum and the Abattoirs, both in Toulouse - the first science, the second contemporary art - or the Museum of Contemporary Art in Lyon. In Paris itself it seems that the major museums haven’t really got started yet, but museums are already showing a lot of interest, and the very fact of holding the 2.0 encounter at the Louvre is a good sign. I have a hunch that within six months or a year at the outside action on the social networks will have been integrated into most centres’ communication strategy. Their potential is much too good to miss, and the breakneck speed at which they’re expanding means that you can’t just sit there open-mouthed in wonderment if you want to really get on board. It’s not at all about following a trend, it’s about being present wherever the users are, talking to people and exchanging views in a multi-directional way, with communication being not only from the museum to the public, as in the past, but from everyone to the museum and from everyone to everyone.

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