The restoration of a photographic negative on a glass plate, carried out by the Department of Restoration and Preventive Conservation of the museum, has widely contributed to the documentation around the life and work of Picasso, by recuperating the integrity of an interesting testimonial of the relation of the artist with Joan Vidal i Ventosa. The negative, held by the Centre of Knowledge and Research of the museum, was broken and provided certain dilemmas with regard to the choice of treatments and materials for intervening on the piece and for guaranteeing its material and intellectual preservation. In the moment that a restoration ...
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