Organizing an exhibition tends to be an arduous process, but at the same time a very rewarding one for the people involved. For curators and coordinators, the lengthy task of selecting the works that support the thesis, tracking these down and arranging the necessary loans usually brings both joys and disappointments. Each success is greeted with enthusiasm, even euphoria, but every refusal comes as a let-down, damping the whole team's spirits. In putting together the show Secret Images. Picasso and Japanese Erotic Prints, the disappointments have been few and the joys many. On the strength of our perception of certain compositional ...
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